Nice looking GTC from archive photos
I was organizing my photo program a few days ago and found this photo of a nice looking GTC to share with you.
We had 3 dark blue GTC’s at this time and I think this car was sold to a guy in Switzerland.
I was organizing my photo program a few days ago and found this photo of a nice looking GTC to share with you.
We had 3 dark blue GTC’s at this time and I think this car was sold to a guy in Switzerland.
I know, this is such a thrilling topic. I had to make brackets to attach a modern cooling fan to the radiator of a 250 Pininfarina Cabriolet. The part that’s the most exciting to me is that box board material for making templates, I love this stuff because it’s easy to cut while being rigid enough to handle bends and maintain shape. Whenever I get FedEx envelops or a Certificate of Authenticity from Porsche (which is where this box board material came from) I save it in a secret location so no one else can steal it from me. When you combine this box board with a sharpie marker and sharp scissors, anything is possible.
The box board template is a mirror image (fits left and right) so I sandwiched it on the top of two sheets of 12 gauge steel and traced the pattern with the plasma cutter for the final piece.
Over the last Month I’ve been disassembling a dark blue1967 Ferrari 330 GTC to re-finish the paint, chrome and interior. Even though Pininfarina did a spectacular job building these beautiful Ferrari Coupe’s, there are some things that I can’t live with. These photos show the fit between the “B” pillar cover trim and the “C” pillar window surround trim just behind the door. The gap was enormous on both sides and was filled in with black urethane rubber from the factory. I ground off the chrome and copper and welded some new brass on the trim (which is made of brass) to tighten up the gap.
Another area that bothers me on the most of the Ferrari GTC’s that I have seen is the fit of the center console at the shifter opening. Like the other cars I have looked at, the shifter isn’t centered in the opening so naturally, I have to adjust this area too. This GTC used to have an odd reverse lockout tab like some of the 60′s race cars, but it didn’t fit so someone bent up the sheet metal in the opening on the left side of the opening.
Here are a series of photos of the block sanding process on the Ferrari 166 Touring Berlinetta. The sheet metal is all sorted and gaps are perfect but the body needs hundreds of hours of serious elbow grease (sanding) to make sure it is all straight as an arrow. Syl isn’t scared of the “mud”, he completely fills in all of the door and hood gaps allowing him to block sand right across them so when the light hits the highly polished top coat you won’t see any waves or change in reflection.
Even though the grill we made fit the opening in bare aluminum, Syl spends hours making it perfect with skim coats of body filler and attacks the headlight rim contact areas with the same level of perfection. There isn’t any room for error when working with super fine trim that is used all over this car like the delicate headlight rings and the low profile windshield and rear glass surrounds. Imagine these surrounds, start with a long section of 1/4″ aluminum rod and whittle it down so only a quarter of it is used. We re-made this trim because the delicate original material was destroyed when the car was disassembled.
Right now, the car is sealed up in high build primer with a blue tinted epoxy primer that seals the polyester filler from moisture and greasy finger prints. Now we have some more fitting here and there before it goes back to Syl’s shop to work out some more details such as the incredibly complex belt-line crown that goes from the headlight to the tail light..
We’ll probably have more hours in sanding and painting the dashboard that it would take to paint an entire late model car like a Mercedes or Honda. The dash on this car is a thing of beauty but it requires a perfectionist sicko to finish it because like the rest of the car, the trim that surrounds the gauges and switches are like string bikinis
Since the color of this car makes me weak in the knees, I have enjoyed testing my new camera in different light situations. These are some very different locations to photograph the car, the photo of the right front is in a dark shadow right next to the building. The car is in the same location in the photo of the left front but with much different lighting and lots of color from the late afternoon sun. Even the photo of the car under florescent lights in the building came out well with some random knobs twisted and adjusted.
Here are some photos for Derek who seems to get very turned on by Ferrari engine photos, mostly the “basamento” which translates to “base” and in this context it stands for Engine Block.
Here is a early Porsche 911 Engine that Casey has finished and will hopefully be running later this week.
Here is a Super nice 330 GTC that a customer of ours is interested in selling. We’ve gone through all of the mechanical components within the last two years such as the engine, transmission and numerous other details. This car is outstanding and is ready to light ‘em up for 2012!
This is a subject that I write about frequently because I just don’t understand why Ferrari Transmissions are bigger than the engine in front of it. We just had a transmission out of a 1955 Ford Pickup that was the size of a shoe box and a 5 speed ZF transmission out of a Maserati is tiny compared to the 5 speed out of this 330 GT 2+2. If I seem frustrated it’s because getting this Parthenon out of the car is a job that only Zeus can handle.
This transmission works well but the synchronizers are worn to to point of having a chrome plated polished look instead of the required rough cast finish but all the bearings and gears are perfect. We used to replace the operating sleeves on these transmissions but they take so long to “wear in” that I feel they are doing more damage than good especially considering how well they shift with the original parts re-installed.
It doesn’t look bad in this photo but the paint on this 330 GTC is displaying it’s age with small cracking, a few minor rust bubbles and areas where its flaking right off the sheet metal! I was looking carefully for signs of the original color which appears to have been blue from new. There is a hint of red paint around the front window but I can’t tell if the car was red at one time or if it was just some extra protective coating in an area that needs lots of rust protection. The car will likely be re-painted a dark blue.
Since I have the jigs, stainless steel tubing and motivation, I decided to stock up on some commonly used water pipes for Ferrari 250′s. The top photo is a mixture of trashed original parts and my re-made parts that attach to the water pump and have a barb for the heater return and a threaded boss for the thermostat bypass. The pipe in the next photo is a custom job for a repilca 250 that was sent to me for duplication. This part doesn’t follow any of my jigs so I made a crude jig to complete this order. I’ve done 4 pipes recently for 1962 Ferrari 250′s, an early 1962 GTE, a ’62 250 PF Cab and two 1962 Short Wheelbase Berlinetta. Even though they should all be the same, all 4 of these are significantly different with barbs going in different directions and the main bend radius unique from one to the other. I’d like to know how these were made originally because there isn’t any consistency in the style of construction or shape.